Leo’s first draft was pure canon. Man with a Movie Camera (1929). Persona (1966). The Holy Mountain (1973). Come and See (1985). Salo (1975). Antichrist (2009). Each entry came with a “Hardness Score” (1–10 for duration, density, and emotional damage) and a “Pop Media Cross-Reference” to trick casual viewers into trying them.
Leo frowned. “Endurance Content?”
But when his niece, Mia, a junior editor at StreamFlare , asked for help, even Leo hesitated.