Big. Hero. 6 -

And then, for the first time since the fire, Hiro breaks down. He hugs Baymax.

It’s the most cathartic moment in modern Disney animation. Because grief isn't about fighting. It’s about finally stopping the fight and accepting the hug. We have to talk about the setting. Big Hero 6 boasts the most underrated city design in animation. San Fransokyo—a glorious mashup of Victorian row houses, Japanese cherry blossoms, Golden Gate bridges, and Shinto shrines—feels alive. big. hero. 6

He is the antithesis of every action hero trope. He waddles. He runs out of battery. He requires a fist bump ( "Balalalala" ). In a genre obsessed with six-packs and brooding stares, our hero is a marshmallow with a healthcare chip. And then, for the first time since the

The film spends its first act building a perfect, sunny brotherly bond between Hiro and Tadashi. We see Tadashi’s kindness, his invention of Baymax, his belief in Hiro’s potential. And then, in a single, silent, swirling shot of a building on fire, he is gone. Because grief isn't about fighting

There is no body. No last words. Just smoke and a broken helmet.

It sounded like a bizarre science experiment.