For himself, Spiro built a microphone stand that hung upside-down from the ceiling. He sang into the base while his feet dangled. “This way,” he explained, suspended like a funky bat, “my lyrics drip upward into the subconscious.” He tested it by crooning “You Left Me for a Mime” while spinning slowly. Lulu cried real tears.
Then the Rusty Crickets took the stage.
Spiro rigged a vintage wah-wah pedal to a car battery and a hydraulic lift from a broken La-Z-Boy. When Moe stomped it, the entire drum riser tilted forty-five degrees. The funk was undeniable—Moe slid into Lulu’s amp stack, creating a new chord called “the splat.” The crowd at rehearsal (three mannequins and a cat) went wild. funky rocker design plans
Thus began the .