Pickpocket -1959- Now

It is the most Christian ending in cinema history. Not because he prays. But because he admits he was wrong. Grace, Bresson argues, is not found in the perfect crime. It is found in the prison cell, when you finally admit you need another human being. Pickpocket is not for everyone. It is slow. It is quiet. It is shot in stark black and white. If you need explosions or witty banter, look elsewhere.

It is a 75-minute sermon about pride, isolation, and the strange holiness of a human touch. It will make you look at your own hands differently. And it will remind you that the greatest theft is not taking a wallet from a stranger. pickpocket -1959-

And then, Bresson pulls off a miracle.

But if you have ever felt like an outsider in your own life—if you have ever tried to rationalize a bad habit into a noble calling—this film will haunt you. It is the most Christian ending in cinema history

There is a moment about twenty minutes into Robert Bresson’s 1959 masterpiece, Pickpocket , where the film stops feeling like a movie and starts feeling like a prayer meeting for sinners. Grace, Bresson argues, is not found in the perfect crime