And remember: "Never underestimate the power of a woman in a tight dress."
To Wong Foo, Thanks for Everything! Julie Newmar is a time capsule of a moment when Hollywood took a wild swing on a queer story and wrapped it in a mainstream, PG-13 bow. It’s not perfect (the slang is dated, and the small-town problems wrap up a little too neatly). But its heart is not just in the right place—it’s wearing six-inch heels and walking directly toward you with a hug. To Wong Foo- Thanks for Everything- Julie Newmar
The movie posits a radical idea: Drag isn’t deception. Drag is translation . It’s taking the messy, scared, complicated feelings inside you and translating them into something beautiful you can wear. And remember: "Never underestimate the power of a
The queens don't fight the small-minded sheriff (a perfectly cast Chris Penn) with fists. They win with a dance contest, a beautiful dress, and by being unfailingly decent human beings. They turn the other cheek, then powder it, then highlight it. But its heart is not just in the
But here’s the secret that keeps this movie sparkling three decades later: To Wong Foo isn’t really about drag. It’s about
First, let’s bow down to the casting. Patrick Swayze (fresh off Ghost and Dirty Dancing ) plays Vida Boheme, the elegant, rule-following "queen mother." Wesley Snipes—yes, the Blade and Demolition Man Wesley Snipes—plays the sharp-tongued, statuesque Noxeema Jackson. And a baby-faced John Leguizamo plays Chi-Chi Rodriguez, the insecure, passionate newcomer.
On the surface, it sounds like a high-concept elevator pitch that should have crashed and burned: Three New York City drag queens (Vida, Noxeema, and Chi-Chi) get stranded in a dusty, bigoted middle-American town and teach the locals how to dance, love, and wear eyeshadow.