Victoria Matosa -

Victoria Matosa had always been the kind of person who felt everything a little too much. While her friends laughed at a meme, she’d be tearing up over a commercial about a lost dog. While they breezed through heartbreaks, she carried hers like a stone in her shoe for months. It was exhausting, but it was also her secret weapon.

At twenty-six, Victoria was a freelance restoration artist based in a cramped but charming studio apartment in Lisbon’s Alfama district. Her specialty was breathing life back into forgotten things: a cracked 18th-century azulejo tile, a faded portrait of a stern-faced patriarch, a music box with a broken ballerina. Her clients were museums, antique dealers, and occasionally, a heartbroken soul who’d inherited a relic and didn’t know what else to do with it. Victoria Matosa

“I was told you work with… delicate things,” he said, his English tinged with a Brazilian warmth. Victoria Matosa had always been the kind of

“I’ll do my best,” she said, her voice softer than she intended. It was exhausting, but it was also her secret weapon