The lights dimmed. The BRRip quality was intentional—raw, unpolished, each pixel a bruise. On screen, a single waveform pulsed across a black field.

"The court will now hear Exhibit F," the judge said. "Recorded at the Rosen farmhouse, 3:00 AM, October 29th."

The courtroom was a vacuum. No one coughed. No one shifted. Then, from the back row, a single juror began to weep without knowing why.

The projector clicked off.

Father Moore finally looked up. His eyes were tired, but not with exhaustion. With confirmation.

But Father Moore, hands cuffed loosely in his lap, wasn't listening to the science. He was listening to the click of the courtroom's old projector as the bailiff loaded the evidence: a grainy, jittering digital transfer of the night's audio logs. The unrated cut. The one the diocese had tried to bury.

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